Carlos Cociña’s “La casa devastada”: the problem of the poetical subject and the assemble as a writing strategy

Abstract

Carlos Cociña’s poetry is usually read within the digital narratives (Gainza, 2016) or through the idea of a presumed impersonality (Andrade, 2019; Ayala, 2014) that links it to the figure of a scientist-poet or mathematician-poet. From La casa devastada, we propose an approach to understand the idea of “assemblage”, briefly discussing the notion of poetic subject and the heritage of avant garde movements.