The human body in still life and tableau representations

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Keywords

still life
tableau
composition
objetcs
body
photography
work

Abstract

The article exposes the representation of still life and explains the difference between the concepts still life and tableau. Through documentary and visual analysis of images, it is explained that the representation of the human body in still life is scarce. In some pictorial works, still life or still life is present as a prop of the scene, where the human body interacts with food or objects. Photography exposes a horizontal relationship; that is, equal to equal, between the human body and objects or food, which is why the human body acquires relevance in the genre of still life or still life. This analysis allows us to glimpse that the human body and objects together configure a new categorical proposal in the genre of still life and enable a new system of meaning.

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References

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Franceschini, C. (2007). Memorias olvidadas. Joel Peter Witkin. Una Obra Fotográfica Contemporánea acerca de lo Ominoso. Santiago: Universidad de Chile.

Giglietti, N. (2020) Los géneros de la pintura en el arte contemporáneo. Naturaleza muerta, paisaje y retrato (Tesis de doctorado). Universidad Nacional de La Plata, La Plata.

Hurtado, G. (2019) “Naturaleza muerta [Naturaleza Muerta (Still-Life)]”. Revista de Filosofía Diánoia, 64(83), pp. 181-207.

Legido-García, M. V. (2016). “Del bodegón a la basura. Representaciones de alimentos en la historia del arte desde la perspectiva de la fotografía contemporánea”. Arte, Individuo y Sociedad, 28(3), pp. 415-427.

Meléndez, M. (2005) “Naturaleza muerta y bodegón: Asunto de coincidencias”. Vestigium, Revista Academica Universitaria, 2(1), pp. 67-68.

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