Keywords
music
empty space
chance
How to Cite
Abstract
Summary
The work of the dancer, the aesthetic recreation of the viewer and the creation of the choreographer share the same importance: successful and mutual understanding is the completion of the circle in the composition process. The author reflects on his work Imaginary Space from the perspective of the choreographer through the exploration and analysis of its genesis and inspiration and its title.
References
Bejart, M. (2006). Cartas a un joven bailarín. España: Editorial Libros el Zorzal.
Cage, J. (2009). “Ryoanji: Solos for Oboe, Flute, Contrabass, Voice, Trombone with Percussion or Orchestral Obbligato (1983-85)”. PAJ: A Journal of Performance and Art, 31(3), pp. 58-64. Recuperado de https://monoskop.org/images/c/c4/Cage_John_2009_Ryoanji_Solos_for_Oboe_Flute_Contrabass_Voice_Trombone_with_Percussion_or_Orchestral_Obbligato_1983-85.pdf
Cunningham, M. (1992). “Dance in Space and Time”. En R. Kostelanitz. (Ed), Dance in Space and Time (pp. 37-39). Chicago: Da Capo Press.
Smith-Autard, J. (2004). Dance Composition: A Practical Guide to Creative Success in Dance Making. Great Britain: A&C Black Publishers.
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